History of Art
Art is revealed and analyzed according to their age, culture and discourse. Sensus see in art history
as a part of human existence, not only as a testimony of thinking that prevailed in each period and emerges with a purpose, but as a living thing that can still be subject to new interpretations, framing culture and lives in the present
So in recent times, the art league directly with its own history, and is created from the development that has taken since humans left the first artistic testimonies. Similarly, knowledge of the history
Art is understanding ófísico, social and historical evolution edges Orico
human sensitivity through a picture that embodies the intentions of the propaganda of an idea, either personal or institutional rhetorical struggles of Artists
therefore illustrated here offer tours of the history of art, knowing the causes that led to the creation of major works and their meaning in every culture, in the hands of specialists, mostly graduates of the Research Institute Be policies and the Faculty of Philosophy and Letters, UNAM.
Art writer and I also like art from around the world is full of wonderful things
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do not confuse them all this is my first and I see Aki as commentator Progressing Art International Artists
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In union of gesture and voice, drawing is an ancient and universal language through which to express and describe their communication images of the surrounding world, or invented in their forms or in their association
The drawing has been traditionally considered as a tool for improving the work of painters and sculptors, learning taking place in the Academy and in the workshop. When drawing, the forms are read first and then describe
This expressive exercise, which can be mastered after a period of learning and practice, education intelligence to the point that the artist who has disciplined his personality drawing, faced with the same discipline and order activities seemingly as distant as the abstract expression . Without forgetting that the young artist should be given lessons and no prescriptions
If, according to Hegel, the art form is the tangible manifestation of the idea, the drawing is the basic language that makes this demonstration
In the drawing quality, valid for honest soul artist is expressed not through forms, but the forms. The ability to create forms in addition qualify artist talent, plus demonstrate professional skill in the copy. The draftsman is, therefore, a profession that becomes art when it goes beyond the mere ability handbook what is called job, to become the vehicle of feelings.
It is in the hand of the artist give the appropriate rhythm to his work, highlighting the most important structural nicknames for him and reducing or even eliminating those other less defining the result will be achieved drawing, with his pace, personality and implicit message.
Because in a drawing each line has a steering force arising expressing intentionality. The skilled draftsman knows he can direct the gaze (and thus attention) toward the viewer
only a certain number of vectors converging the formal power that constitute the game Even when lines do not appear in a table-dibujístico express the structural lines (do not see them as such in nature), underlying point
hidden ordering tables, lights and shadows. These hidden lines generated in the Baroque-called "open forms", under which the arguments are supposed to complete the paper out of the box. Against these the conceptually more characteristic of the sixteenth century "closed forms" are.
The task of representing the environment and objects, or recreate and establish new partnerships, which are as stated the essence of drawing is noble activity to the point of being able to say it with words of Baltasar Gracian, that "no denying art where both the difficulty queen
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